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- Inside Antiques,
by Robert Reed
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- Inside Antiques:
- Cat Collectibles, A Purr-fect World
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- By Robert Reed

In recent years, one of the USA's major auction houses devoted
an entire auction to cat collectibles in nearly every form.
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- Some would say the world of cat collectibles indeed was a
"purr-fect" one, with the choice of everything from
Avon bottles to 19th century fine art.
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- While the feline mammal is typically defined as having a
pleasant purr beneath its soft, thick fur; collectors might detect
a roar.
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- "Big cats, little cats, white cats, good cats and even
better cats, purred an official at the international Skinner
Inc. at what was billed as the first all-cat auction held in
the United States by a national firm.
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- Among other things, the 'cat's meow' auction included enduring
Staffordshire cat figures, considered by many to be the ultimate
in cat collectibles.
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- Cat figures were first created in the Staffordshire region
of England during the early 1700s. Early examples were often
of salt glaze or a marbled agateware. Most were black and white,
but some had elements of blue or brown. A majority of the early
Staffordshire cats were in the sitting position and were rarely
shown reclining.
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Around 1750, a leading
Staffordshire potter, Thomas Whieldon, crafted some notable
cat figures in mottled green and brown pottery form. Soon his
works were being copied by others of the region and for a time
all such figures were called Whieldon pottery. Cats of porcelain
were also produced in England during the 18th century. Records
show one of the earliest porcelain cats produced was a small,
three-inch black and white figure. It held a mouse in one paw
and was seated on a base decorated with sprays of flowers. The
cat figure was made in 1755 by the Chelsea Porcelain Works.
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- Meanwhile, other porcelain cats were being crafted in places
like Derby Pottery during the 1750s and 1760s in Derby, England.
Eventually, the firm became Chelsea Derby and continued to produce
distinguished porcelain figures. Still other fine grade
porcelain cats were created in the Worcester area of England
as well as Lowestoft. In the 1770s, an exceptional porcelain
tabby cat was produced in Lowestoft. Painted with various colors,
it stood a mere two inches tall on a round green base.
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- During the early 19th century, an occasional cat figure was
still being introduced in Staffordshire as well as at the Rockingham
factory in Swinton, England. Cats at
Rockingham often had a purple-brown manganese glaze, but were
also delivered
in other colours as well including both gold and white.
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When the Derby porcelain
factory closed in 1848, some workers there continued to render
small porcelain works according to Katharine McClinton,
author of The Complete Book of Small Antiques. "They made
white cats with hollow centers and marked them with crowns,"
noted McClinton. The author concludes, however, that in terms
of porcelain making, "cats gradually lost their popularity
at Staffordshire potteries and there were none made as companions
for dogs in the late 19th century."
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- In the United States, however, the cat emerged in the 19th
century as a favoured symbol for advertising and promoting products.
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- During the 1880s, cats were used on a vast number of products,
which ranged from cigars to canned foods, according to the book
The Label Made Me Buy It, by Ralph and Terry Kovel.
The white Persian cat was a particular favourite in the 1890s,
but black cats were not far behind.
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- Likewise, cats had starring roles on trade cards of the late
19th century that also served to advertise and promote similar
products.They could be fully costumed
and wearing glasses for the Spencer Optical Manufacturing Company,
or simply adorable au natural emerging from a package
of Dr.Thomas Electric Oil. Cats were especially popular
on trade cards for companies like Woodson Spice and
various thread manufacturers.
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- In France and England, lovable cats made the leap from ornamental
figurines to dinnerware in the late 19th century in more utilitarian
plates and serving dishes. As today, such items were often spared
from regular usage and instead used for decorative purposes in
a fashionable household.
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- The Skinner auction included one of the most valued cat paintings
of the 19th century. The painting, My Wife's Lovers, by Carl
Kahler, was commissioned in 1891 by wealthy philanthropist
and art collector Kate Birdsall Johnson of San Francisco,
California.
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- History records that Johnson owned 50 prized Angora and Persian
cats, which she kept on her Buena Vista estate. The artist worked
there for four years, first sketching the cats individually and
then in groups. Reportedly, the painting was
titled My Wife's Lovers because the cats were given the name
by the woman's
husband. At any rate, the artist was ultimately paid $5,000 for
the six by eight foot work of art. A few years later, the painting
was displayed at the 1893 World's
Columbian Exposition in Chicago, Illinois.
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- When the original owner died in 1894, the painting was sold
at public auction. It was purchased for $500.
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In 1906, when the
San Francisco earthquake destroyed an entire art saloon, the
painting barely survived. The painting emerged from obscurity
in the 1940s when it toured the country to the delight of cat
lovers. Now famous, more than 9,000 copies of the original painting
were distributed in connection with the tour. In 1949, Cat Magazine
declared it to be "the world's greatest painting of cats."
The painting was re-discovered in the late 1980s, dirty and all
but forgotten in a storage room by cat fancier and collector
Kaja Veilleux. Finally, it was offered at the all-cat
collectibles auction with a pre-sale estimate at more than a
half million dollars.
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- "Throughout our nation's history, dogs and cats have
had a prominent place in both fine arts and folk art, noted
an official of the Heritage Plantation of Sandwich some years
ago. "They are found in countless paintings, prints, drawings
and sculptures, as well as the designs and decorations of a variety
of objects from samplers, coverlets and quilts to toys and pottery.
They capture the attributes and antics, playfulness; and the
aura of mystery and independence of cats."
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- The French paid tribute to cats early in the 20th century
with remarkable lithographic posters of various colors. Dutch
artist Henriette Ronner-Knip uses the image of a cat to
decorate furniture including a low corner cabinet..Artist George
Martel crafted glazed earthenware figures of beribboned cats
with glass eyes during the early 1900s.
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- In the 1920s, there were wrought iron candelabras from Germany
featuring stylized cats, crystal cat bottles from the Cambridge
Glass Company in the United States, and a Nice Kitty Good Night
decanter set painted in various colors from the New Martinsville
Glass Company.
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- Tiffin Glass Company added to cat collectible treasures in
the 1930s with an 11-inch milk glass Sassy Susie Cat. During
that same decade, the Chesapeake and
Ohio Railroad developed the image of famed tabby cat Chessie
to advertise and promote all manner of rail transportation and
related items.
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- Back in the middle 1960s, author and antiques expert Katharine
McClinton cautioned, "cat collecting can be a very expensive
hobby. Because the early ones
were made as toys or whimsies, they were not considered valuable
enough to treasure or keep.Thus there are comparatively few (old
cat collectible pieces) available and prices have sky rocketed."
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- Nearly half a century later, the remaining fond old feline
items still attract a crowd of collectors.
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- Photos: (All are Skinner Inc. auction photos)
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- Photo 1: Painting, My Wife's Lovers, ca1891 by C.
Kahler;
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- Photo 2: Porcelain figural dish, early 20th century,
Continental, 7.5 inches diameter;
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- Photo 3: Eathenware charger, Achille Parillee ca1877,
enamel decoration;
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- Photo 4: Black Cat cigarette advertising tin, late
19th century.
Robert Reed has written on antiques
and collectibles for more than two decades. He has also authored
15 books, including The Antiques and Collectibles Dictionary,
to be released this spring.
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- Robert Reed archives:
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